Conference and Workshop Presentations
Krylova, K.,'Victims, Perpetrators, Implicated Subjects: The Future of Austrian Remembrance on Screen', The Future of German Screen Studies conference, University of St Andrews, 19-21 June 2024.
Krylova, K.,'Malick: Ein verborgenes Leben', invited lecture given as part of the Ringvorlesung 'Kanonische Literaturverfilmungen', held at the Faculty of Arts and Humanities, University of Salzburg, 7 May 2024.
Krylova, K.,'Keeping Austria’s Wartime History Concealed: Terrence Malick’s A Hidden Life (2019)', paper given at the 'Entrenched Narratives, Hidden Figures: Reappraising Representations of War' conference, University of Warwick, 21-22 March 2024.
Krylova, K.,'Depicting Austrian History for a Global Audience: Terrence Malick’s A Hidden Life (2019)', paper given at the Women in German Studies 35th Annual Conference, University of Exeter, 3-4 November 2023.
Krylova, K., 'The reception of countermonuments in contemporary Austrian literature: Robert Schindel’s Der Kalte (2013) and Hanna Sukare’s Schwedenreiter (2018)', paper given at (Re)thinking Countermonuments: The Evolution of "Memory against itself", University of Leeds (Online Colloquium), 21-22 June 2022.
Krylova, K., 'Cultural Responses to the Nazi Past', invited online talk given to the UK Civil Service German Language Network, 20 January 2022.
Krylova, K., 'Remembrance of Austrian Wehrmacht Deserters in Transition: Hanna Sukare’s Schwedenreiter (2018)', paper presented at the WIGS 2021 Open Conference ‘Crossing Thresholds’ (online), 24-26 June 2021.
Krylova, K., 'The Long Shadow of the Past in Contemporary Austrian Culture', invited online talk given as part of the University of Aberdeen History Society lecture series, Aberdeen, 5 November 2020.
Krylova, K., 'Evolving Representations of Austrian Resistance during the Second World War', paper presented at the Connecting Memories 2020 Virtual Symposium, University of Edinburgh, 29 June 2020.
Krylova, K., 'Die Geträumten - Ruth Beckermann - 2016', paper presented at Picturing Austrian Cinema: An International Research Symposium, Queens' College, Cambridge, 22-24 September 2018.
Krylova, K., 'The Long Shadow of the Past: Contemporary Austrian Literature, Film, and Culture', invited book presentation at OeAD LektorInnentreffen, Austrian Cultural Forum, London, 17 November 2017.
Krylova, K., ‘A Figure of Revolt? The Afterlife of Thomas Bernhard in Contemporary Austrian Literature’, paper presented at Reform & Revolt: Women in German Studies Open Conference, St Edmund Hall, Oxford, 22-24 June 2017.
Krylova, K., ‘Living with Shadows: Contemporary Austrian Literature and Culture’, invited talk given at King's German Studies Research Seminar, Department of German, King’s College London, 25 January 2017.
Krylova, K., ‘Haunted Landscapes and Haunting Pasts in Ruth Beckermann’s Those Who Go Those Who Stay’, paper presented at German Studies Association Thirty-Ninth Annual Conference, Washington D.C., 30 September-4 October 2015.
Krylova, K., ‘Ariadne’s Thread: Working Through Personal and Collective Memory in Ruth Beckermann’s Those Who Go Those Who Stay’, paper presented at Research Symposium of the German Screen Studies Network, University of Cambridge, 9-11 July 2015.
Krylova, K., ‘Keys against Forgetting?: Recent Counter-monuments in Vienna’, paper presented at Contemporary Austrian Literature, Film and Culture: International Conference, University of Nottingham, 13-15 April 2015.
Krylova, K., ‘“Was soll Erinnerung?” Memory and Austria’s Past in the Documentary Films of Ruth Beckermann’, paper presented at the German Studies Research Seminar, Department of German Studies, University of Nottingham, 4 February 2015.
Krylova, K., ‘Remembering the Holocaust in Austria today: Recent Counter-monuments in Vienna’, paper presented at Transnational Holocaust Memory, International Conference, University of Leeds, 26-27 January 2015.
Krylova, K., ‘Historicizing the Waldheim Era: Robert Schindel’s Der Kalte’, paper presented at “Es geht uns gut”: Recent Trends in (Re)writing the Past in Austrian Literature since 2000, One-Day Conference at the Ingeborg Bachmann Centre for Austrian Literature, Institute of Modern Languages Research, University of London, 27 November 2014.
Krylova, K., ‘Deathly Silence and Garrulous Silencing: Margareta Heinrich’s and Eduard Erne’s Totschweigen (1994) and Elfriede Jelinek’s Rechnitz (Der Würgeengel) (2008)’, paper presented at Women in German Studies 26th Annual Conference, Selwyn College, University of Cambridge, 7-8 November 2014.
Krylova, K., ‘Melancholy Journeys and Postmemory in the Films of Ruth Beckermann’, invited paper presented at German Graduate Research Seminar, Department of German and Dutch, University of Cambridge, 28 October 2014.
Krylova, K., ‘Ruth Beckermann’s Die papierene Brücke’, invited paper given at Picturing Austrian Cinema: A Research Symposium with Jessica Hausner and Ruth Beckermann, St John’s College, Cambridge, 21-23 September 2014.
Krylova, K., ‘Melancholy as a Response to Destruction and Displacement in the Films of Ruth Beckermann’, paper presented at Continuities and Ruptures: Artistic Responses to Jewish Migration, Internment and Exile in the Long Twentieth Century Conference, University of Leeds, 6-8 July 2014.
Krylova, K., ‘Disturbing the Past: The Representation of the Waldheim Affair in Robert Schindel’s Der Kalte’, paper presented at Disturbing Pasts: Reverberations of the Second World War in Europe after 1945 Conference, University College London, 3-5 July 2014.
Krylova, K., ‘Melancholy in the Films of Ruth Beckermann’, paper presented within special panel on ‘Contemporary Austrian Literature, Film and Cultural Policy’ at the Seventy-seventh meeting of the Association for German Studies in Great Britain and Ireland, University of Manchester, 9-11 April 2014.
Krylova, K., ‘Home and Belonging in Anna Mitgutsch’s House of Childhood’, paper presented at Domestic Imaginaries: Homes in Film, Literature and Popular Culture Symposium, University of Nottingham, 21 January 2014.
Krylova, K., ‘A Topography of the Waldheim Era: Robert Schindel’s Der Kalte’, paper presented at Women in German Studies 25th Anniversary Conference, University of Sheffield, 8-9 November 2013.
Krylova, K., ‘Testimony and Genre in the Films of Ruth Beckermann’, paper presented at Joint Workshop on Genre and Testimony (organised by the University of Nottingham and the University of Birmingham), University of Birmingham, 28 September 2013.
Krylova, K., ‘Melancholy Journeys and Painful Loss in the Films of Ruth Beckermann’, paper presented at Melancholy Minds and Painful Bodies: Genealogy, Geography, Pathogeny. Embodiments 2013 Conference, University of Liverpool, 9-11 July 2013.
Krylova, K., ‘Othering the Self and Representing the Other: Ulrich Seidl’s Good News (1990) and Florian Flicker’s Suzie Washington (1998)’, paper presented at the 13th European Cinema Research Forum: The Other, University of Edinburgh, 1-2 July 2013.
Krylova, K., ‘“Dieses Land, das keines ist”: Habsburg Nostalgia and the Haus Österreich in the Works of Ingeborg Bachmann and Thomas Bernhard’, paper presented at the 128th Modern Language Association Annual Convention, Boston, 3-6 January 2013.
Krylova, K., ‘Trauma and Topography in Contemporary Austrian Literature and Film’, paper presented at ‘Memory Matters’ Symposium, School of Cultures, Languages and Area Studies, University of Nottingham, 15 December 2012.
Krylova, K. ‘Confronting the ‘Herkunftskomplex’: Thomas Bernhard’s Auslöschung’, paper presented at the German Studies Research Seminar, Department of German Studies, University of Nottingham, 24 October 2012.
Krylova, K., ‘Kranksein an der Zeit: Time and Space in Ingeborg Bachmann’s Malina’, paper presented at the Women in German Studies Open Conference ‘About Time: Conceptualising and Representing Temporality in German, Swiss and Austrian culture’, University College Dublin, 28-30 June 2012.
Krylova, K., ‘Hofmannsthal und Hinterbrühl’, paper presented at ‘Hofmannsthal: Orte’ workshop, held at the Frankfurter Goethe Haus, Freies Deutsches Hochstift, Frankfurt am Main, 30-31 May 2011.
Krylova, K., ‘The function and presentation of London in Thomas Bernhard’s Auslöschung’, paper presented at the Seventy-fourth meeting of the Association for German Studies in Great Britain and Ireland within lead strand ‘London in German Culture – German Language and Culture in London’, Queen Mary University of London, 13-15 April 2011.
Krylova, K., ‘Thomas Bernhards Auslöschung: der Umgang mit dem Herkunftskomplex’, paper presented at Internationale Konferenz zum 80. Geburtstag von Thomas Bernhard: zur gesellschaftlichen und politischen Bedeutung der Literatur, University of Ljubljana, 16-18 February 2011.
Krylova, K., “Ein Wahnsinniger, der die Fakultäten vermischt, aber zu wach ist, um noch an Kompetenzen glauben zu können”: Interdisziplinarität am Beispiel Ingeborg Bachmanns’, paper presented at a graduate workshop on The Scope and the Boundaries of Philological Research at the Friedrich Schlegel Graduate School of Literary Studies, Free University of Berlin, 1-3 July 2010.
Krylova, K., ‘‘Anatomie der Entmenschung’: Psychotopography and Creaturely Life in Thomas Bernhard’s Frost’, paper presented at the Annual Symposium of the Modern Austrian Literature and Culture Association, University of Vienna, 22-25 May 2010.
Krylova, K., ‘The Creaturely in Thomas Bernhard’s Frost’, paper presented in the context of a seminar with Prof. Helmut Lethen (director, Internationales Forschungszentrum Kulturwissenschaften, Vienna) held at Emmanuel College, Cambridge, 20 May 2010.
Krylova, K., ‘‘Die Krankheit des Damals’: Melancholy and the Return to Origins in Ingeborg Bachmann’s Das Buch Franza’, paper presented at the Seventy-third meeting of the Association for German Studies in Great Britain and Ireland, University of Reading, 29-31 March 2010.
Krylova, K., ‘A city where one must suffer the past: Vienna and Austrian identity in Ingeborg Bachmann's Malina’, 2010 Sylvia Naish Research Student Lecture, 11 February 2010. The honour to give this prestigious lecture was awarded in a competition by the Institute of Germanic and Romance Studies, University of London.
Krylova, K., ‘Keine verschonte Insel, sondern an jeder Stelle Untergang’: Vienna and Austrian identity in Ingeborg Bachmann’s Malina’, paper presented at the German Graduate Research Seminar, Department of German and Dutch, Faculty of Modern and Medieval Languages, University of Cambridge, 16 November 2009.
Krylova, K., ‘‘Ich bin diesem Ort verfallen’: Topography, melancholy and creaturely life in Thomas Bernhard’s Frost’, paper presented at the Sixth International Postgraduate Conference on Current Research in Austrian Literature, Ingeborg Bachmann Centre for Austrian Literature, Institute of Germanic and Romance Studies, London, 4-5 June 2009.
Krylova, K., ‘‘Dieser ungeheure Ausnahmezustand’: Psychotopography and Creaturely Life in Thomas Bernhard’s Frost’, paper presented at the 45th National Postgraduate Colloquium in German Studies, Institute of Germanic and Romance Studies, School of Advanced Study, University of London, 2-3 April 2009.
Krylova, K., ‘Melancholic Topography in Thomas Bernhard’s Ungenach and Ingeborg Bachmann’s Drei Wege zum See’, paper presented at the Fifth International Postgraduate Conference on Current Research in Austrian Literature, Ingeborg Bachmann Centre for Austrian Literature, Institute of Germanic and Romance Studies, London, 5-6 June 2008.
Krylova, K., ‘Reflective nostalgia in the works of Ingeborg Bachmann and Thomas Bernhard’, workshop presentation for Distinguished Scholar Workshop with Prof. Svetlana Boym, Department of Slavonic Studies and the Faculty of Modern and Medieval Languages, University of Cambridge, 29 April 2008.
Krylova, K., ‘Identity, topography and melancholy in Thomas Bernhard’s Ungenach and Ingeborg Bachmann’s Drei Wege zum See’, Seventy-first meeting of the Conference of University Teachers of German (CUTG), University of Nottingham, 26-28 March 2008 (paper presented within lead strand ‘National Identities, Minority Cultures and their International Contexts: From Medieval Universalism to Postcolonial Globalisation’).
Krylova, K., ‘The City as Agent in the Work of Ingeborg Bachmann’, paper presented at the Fourth International Postgraduate Workshop on Current Research in Austrian Literature, Ingeborg Bachmann Centre for Austrian Literature, Institute of Germanic and Romance Studies, London, 7-8 June 2007.
Krylova, K., ‘Writing as a Mode of Survival in Ingeborg Bachmann’s Malina’, paper presented at Modern Languages Postgraduate Conference on ‘Identity Formation’, School of Languages, Linguistics and Cultures, University of Manchester, 4 April 2007 (paper presented within panel entitled ‘Narrative Identities’).
Krylova, K.,'Malick: Ein verborgenes Leben', invited lecture given as part of the Ringvorlesung 'Kanonische Literaturverfilmungen', held at the Faculty of Arts and Humanities, University of Salzburg, 7 May 2024.
Krylova, K.,'Keeping Austria’s Wartime History Concealed: Terrence Malick’s A Hidden Life (2019)', paper given at the 'Entrenched Narratives, Hidden Figures: Reappraising Representations of War' conference, University of Warwick, 21-22 March 2024.
Krylova, K.,'Depicting Austrian History for a Global Audience: Terrence Malick’s A Hidden Life (2019)', paper given at the Women in German Studies 35th Annual Conference, University of Exeter, 3-4 November 2023.
Krylova, K., 'The reception of countermonuments in contemporary Austrian literature: Robert Schindel’s Der Kalte (2013) and Hanna Sukare’s Schwedenreiter (2018)', paper given at (Re)thinking Countermonuments: The Evolution of "Memory against itself", University of Leeds (Online Colloquium), 21-22 June 2022.
Krylova, K., 'Cultural Responses to the Nazi Past', invited online talk given to the UK Civil Service German Language Network, 20 January 2022.
Krylova, K., 'Remembrance of Austrian Wehrmacht Deserters in Transition: Hanna Sukare’s Schwedenreiter (2018)', paper presented at the WIGS 2021 Open Conference ‘Crossing Thresholds’ (online), 24-26 June 2021.
Krylova, K., 'The Long Shadow of the Past in Contemporary Austrian Culture', invited online talk given as part of the University of Aberdeen History Society lecture series, Aberdeen, 5 November 2020.
Krylova, K., 'Evolving Representations of Austrian Resistance during the Second World War', paper presented at the Connecting Memories 2020 Virtual Symposium, University of Edinburgh, 29 June 2020.
Krylova, K., 'Die Geträumten - Ruth Beckermann - 2016', paper presented at Picturing Austrian Cinema: An International Research Symposium, Queens' College, Cambridge, 22-24 September 2018.
Krylova, K., 'The Long Shadow of the Past: Contemporary Austrian Literature, Film, and Culture', invited book presentation at OeAD LektorInnentreffen, Austrian Cultural Forum, London, 17 November 2017.
Krylova, K., ‘A Figure of Revolt? The Afterlife of Thomas Bernhard in Contemporary Austrian Literature’, paper presented at Reform & Revolt: Women in German Studies Open Conference, St Edmund Hall, Oxford, 22-24 June 2017.
Krylova, K., ‘Living with Shadows: Contemporary Austrian Literature and Culture’, invited talk given at King's German Studies Research Seminar, Department of German, King’s College London, 25 January 2017.
Krylova, K., ‘Haunted Landscapes and Haunting Pasts in Ruth Beckermann’s Those Who Go Those Who Stay’, paper presented at German Studies Association Thirty-Ninth Annual Conference, Washington D.C., 30 September-4 October 2015.
Krylova, K., ‘Ariadne’s Thread: Working Through Personal and Collective Memory in Ruth Beckermann’s Those Who Go Those Who Stay’, paper presented at Research Symposium of the German Screen Studies Network, University of Cambridge, 9-11 July 2015.
Krylova, K., ‘Keys against Forgetting?: Recent Counter-monuments in Vienna’, paper presented at Contemporary Austrian Literature, Film and Culture: International Conference, University of Nottingham, 13-15 April 2015.
Krylova, K., ‘“Was soll Erinnerung?” Memory and Austria’s Past in the Documentary Films of Ruth Beckermann’, paper presented at the German Studies Research Seminar, Department of German Studies, University of Nottingham, 4 February 2015.
Krylova, K., ‘Remembering the Holocaust in Austria today: Recent Counter-monuments in Vienna’, paper presented at Transnational Holocaust Memory, International Conference, University of Leeds, 26-27 January 2015.
Krylova, K., ‘Historicizing the Waldheim Era: Robert Schindel’s Der Kalte’, paper presented at “Es geht uns gut”: Recent Trends in (Re)writing the Past in Austrian Literature since 2000, One-Day Conference at the Ingeborg Bachmann Centre for Austrian Literature, Institute of Modern Languages Research, University of London, 27 November 2014.
Krylova, K., ‘Deathly Silence and Garrulous Silencing: Margareta Heinrich’s and Eduard Erne’s Totschweigen (1994) and Elfriede Jelinek’s Rechnitz (Der Würgeengel) (2008)’, paper presented at Women in German Studies 26th Annual Conference, Selwyn College, University of Cambridge, 7-8 November 2014.
Krylova, K., ‘Melancholy Journeys and Postmemory in the Films of Ruth Beckermann’, invited paper presented at German Graduate Research Seminar, Department of German and Dutch, University of Cambridge, 28 October 2014.
Krylova, K., ‘Ruth Beckermann’s Die papierene Brücke’, invited paper given at Picturing Austrian Cinema: A Research Symposium with Jessica Hausner and Ruth Beckermann, St John’s College, Cambridge, 21-23 September 2014.
Krylova, K., ‘Melancholy as a Response to Destruction and Displacement in the Films of Ruth Beckermann’, paper presented at Continuities and Ruptures: Artistic Responses to Jewish Migration, Internment and Exile in the Long Twentieth Century Conference, University of Leeds, 6-8 July 2014.
Krylova, K., ‘Disturbing the Past: The Representation of the Waldheim Affair in Robert Schindel’s Der Kalte’, paper presented at Disturbing Pasts: Reverberations of the Second World War in Europe after 1945 Conference, University College London, 3-5 July 2014.
Krylova, K., ‘Melancholy in the Films of Ruth Beckermann’, paper presented within special panel on ‘Contemporary Austrian Literature, Film and Cultural Policy’ at the Seventy-seventh meeting of the Association for German Studies in Great Britain and Ireland, University of Manchester, 9-11 April 2014.
Krylova, K., ‘Home and Belonging in Anna Mitgutsch’s House of Childhood’, paper presented at Domestic Imaginaries: Homes in Film, Literature and Popular Culture Symposium, University of Nottingham, 21 January 2014.
Krylova, K., ‘A Topography of the Waldheim Era: Robert Schindel’s Der Kalte’, paper presented at Women in German Studies 25th Anniversary Conference, University of Sheffield, 8-9 November 2013.
Krylova, K., ‘Testimony and Genre in the Films of Ruth Beckermann’, paper presented at Joint Workshop on Genre and Testimony (organised by the University of Nottingham and the University of Birmingham), University of Birmingham, 28 September 2013.
Krylova, K., ‘Melancholy Journeys and Painful Loss in the Films of Ruth Beckermann’, paper presented at Melancholy Minds and Painful Bodies: Genealogy, Geography, Pathogeny. Embodiments 2013 Conference, University of Liverpool, 9-11 July 2013.
Krylova, K., ‘Othering the Self and Representing the Other: Ulrich Seidl’s Good News (1990) and Florian Flicker’s Suzie Washington (1998)’, paper presented at the 13th European Cinema Research Forum: The Other, University of Edinburgh, 1-2 July 2013.
Krylova, K., ‘“Dieses Land, das keines ist”: Habsburg Nostalgia and the Haus Österreich in the Works of Ingeborg Bachmann and Thomas Bernhard’, paper presented at the 128th Modern Language Association Annual Convention, Boston, 3-6 January 2013.
Krylova, K., ‘Trauma and Topography in Contemporary Austrian Literature and Film’, paper presented at ‘Memory Matters’ Symposium, School of Cultures, Languages and Area Studies, University of Nottingham, 15 December 2012.
Krylova, K. ‘Confronting the ‘Herkunftskomplex’: Thomas Bernhard’s Auslöschung’, paper presented at the German Studies Research Seminar, Department of German Studies, University of Nottingham, 24 October 2012.
Krylova, K., ‘Kranksein an der Zeit: Time and Space in Ingeborg Bachmann’s Malina’, paper presented at the Women in German Studies Open Conference ‘About Time: Conceptualising and Representing Temporality in German, Swiss and Austrian culture’, University College Dublin, 28-30 June 2012.
Krylova, K., ‘Hofmannsthal und Hinterbrühl’, paper presented at ‘Hofmannsthal: Orte’ workshop, held at the Frankfurter Goethe Haus, Freies Deutsches Hochstift, Frankfurt am Main, 30-31 May 2011.
Krylova, K., ‘The function and presentation of London in Thomas Bernhard’s Auslöschung’, paper presented at the Seventy-fourth meeting of the Association for German Studies in Great Britain and Ireland within lead strand ‘London in German Culture – German Language and Culture in London’, Queen Mary University of London, 13-15 April 2011.
Krylova, K., ‘Thomas Bernhards Auslöschung: der Umgang mit dem Herkunftskomplex’, paper presented at Internationale Konferenz zum 80. Geburtstag von Thomas Bernhard: zur gesellschaftlichen und politischen Bedeutung der Literatur, University of Ljubljana, 16-18 February 2011.
Krylova, K., “Ein Wahnsinniger, der die Fakultäten vermischt, aber zu wach ist, um noch an Kompetenzen glauben zu können”: Interdisziplinarität am Beispiel Ingeborg Bachmanns’, paper presented at a graduate workshop on The Scope and the Boundaries of Philological Research at the Friedrich Schlegel Graduate School of Literary Studies, Free University of Berlin, 1-3 July 2010.
Krylova, K., ‘‘Anatomie der Entmenschung’: Psychotopography and Creaturely Life in Thomas Bernhard’s Frost’, paper presented at the Annual Symposium of the Modern Austrian Literature and Culture Association, University of Vienna, 22-25 May 2010.
Krylova, K., ‘The Creaturely in Thomas Bernhard’s Frost’, paper presented in the context of a seminar with Prof. Helmut Lethen (director, Internationales Forschungszentrum Kulturwissenschaften, Vienna) held at Emmanuel College, Cambridge, 20 May 2010.
Krylova, K., ‘‘Die Krankheit des Damals’: Melancholy and the Return to Origins in Ingeborg Bachmann’s Das Buch Franza’, paper presented at the Seventy-third meeting of the Association for German Studies in Great Britain and Ireland, University of Reading, 29-31 March 2010.
Krylova, K., ‘A city where one must suffer the past: Vienna and Austrian identity in Ingeborg Bachmann's Malina’, 2010 Sylvia Naish Research Student Lecture, 11 February 2010. The honour to give this prestigious lecture was awarded in a competition by the Institute of Germanic and Romance Studies, University of London.
Krylova, K., ‘Keine verschonte Insel, sondern an jeder Stelle Untergang’: Vienna and Austrian identity in Ingeborg Bachmann’s Malina’, paper presented at the German Graduate Research Seminar, Department of German and Dutch, Faculty of Modern and Medieval Languages, University of Cambridge, 16 November 2009.
Krylova, K., ‘‘Ich bin diesem Ort verfallen’: Topography, melancholy and creaturely life in Thomas Bernhard’s Frost’, paper presented at the Sixth International Postgraduate Conference on Current Research in Austrian Literature, Ingeborg Bachmann Centre for Austrian Literature, Institute of Germanic and Romance Studies, London, 4-5 June 2009.
Krylova, K., ‘‘Dieser ungeheure Ausnahmezustand’: Psychotopography and Creaturely Life in Thomas Bernhard’s Frost’, paper presented at the 45th National Postgraduate Colloquium in German Studies, Institute of Germanic and Romance Studies, School of Advanced Study, University of London, 2-3 April 2009.
Krylova, K., ‘Melancholic Topography in Thomas Bernhard’s Ungenach and Ingeborg Bachmann’s Drei Wege zum See’, paper presented at the Fifth International Postgraduate Conference on Current Research in Austrian Literature, Ingeborg Bachmann Centre for Austrian Literature, Institute of Germanic and Romance Studies, London, 5-6 June 2008.
Krylova, K., ‘Reflective nostalgia in the works of Ingeborg Bachmann and Thomas Bernhard’, workshop presentation for Distinguished Scholar Workshop with Prof. Svetlana Boym, Department of Slavonic Studies and the Faculty of Modern and Medieval Languages, University of Cambridge, 29 April 2008.
Krylova, K., ‘Identity, topography and melancholy in Thomas Bernhard’s Ungenach and Ingeborg Bachmann’s Drei Wege zum See’, Seventy-first meeting of the Conference of University Teachers of German (CUTG), University of Nottingham, 26-28 March 2008 (paper presented within lead strand ‘National Identities, Minority Cultures and their International Contexts: From Medieval Universalism to Postcolonial Globalisation’).
Krylova, K., ‘The City as Agent in the Work of Ingeborg Bachmann’, paper presented at the Fourth International Postgraduate Workshop on Current Research in Austrian Literature, Ingeborg Bachmann Centre for Austrian Literature, Institute of Germanic and Romance Studies, London, 7-8 June 2007.
Krylova, K., ‘Writing as a Mode of Survival in Ingeborg Bachmann’s Malina’, paper presented at Modern Languages Postgraduate Conference on ‘Identity Formation’, School of Languages, Linguistics and Cultures, University of Manchester, 4 April 2007 (paper presented within panel entitled ‘Narrative Identities’).